Last edited by Fek
Thursday, November 19, 2020 | History

6 edition of The plantation landscape found in the catalog.

The plantation landscape

slaves and freedmen at Seabrook Plantation, Hilton Head Island, S.C.

by

  • 173 Want to read
  • 27 Currently reading

Published by Chicora Foundation in Columbia, S.C .
Written in English

    Places:
  • Seabrook Plantation (S.C.),
  • Hilton Head Island (S.C.),
  • South Carolina,
  • Hilton Head Island.,
  • Hilton Head Island
    • Subjects:
    • Excavations (Archaeology) -- South Carolina -- Hilton Head Island,
    • African Americans -- South Carolina -- Hilton Head Island -- History,
    • Plantation life -- South Carolina -- Hilton Head Island,
    • Seabrook Plantation (S.C.),
    • Hilton Head Island (S.C.) -- Antiquities

    • Edition Notes

      SeriesChicora Foundation research series,, 34, Research series (Chicora Foundation) ;, 34.
      Classifications
      LC ClassificationsF279.S38 C36 1998
      The Physical Object
      Paginationx, 197 p. :
      Number of Pages197
      ID Numbers
      Open LibraryOL377774M
      ISBN 101583170030
      LC Control Number98039805
      OCLC/WorldCa39739688


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The plantation landscape Download PDF EPUB FB2

THE PLANTATION LANDSCAPE (38BU//). This modification, requested on Octowas approved October Once the excavation was completed, the final report languished for an additional four years. Now published, there are certainly sections of this research which appear dated.

Nevertheless, otherFile Size: 8MB. Cabin, Quarter, Plantation is the first book to take this new research into account and comprehensively examine the architecture and landscapes of enslavement on plantations /5(3). The plantation landscape: slaves and freedmen at Seabrook Plantation, Hilton Head Island, S.C.

The Plantation of Ulster (British Settlement in an Irish Landscape: ) The plantation landscape book EditionCited by: The Plantation is by George McNeill.

It is set near Natchez in and beyond. It is a really good book and kept me glued to it. It is, however, rather a long book which for some may be The plantation landscape book problem.

For me, it just made it more interesting. The Columns was left to Athel and Levon Deavers on the death of their father/5. Professor Charles Aiken's "The Cotton Plantation South" is the most perceptive book about the place I have read.

It is written from the perspective of theoretical geography, a discipline I have not studied, although some of its core concepts are readily understood from the text.5/5(2).

"Landscape of Slavery is a landmark study that shows how the plantation has endured in the American consciousness as a nostalgic memory for whites and as an open wound for blacks. For more than three centuries, artists have captured the plantation in works that are both profoundly moving and deeply disturbing/5(5).

The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings.

Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of a distinctive African American culture in the by: Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of /5(11).

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THE PLANTATION LANDSCAPE. The slave houses looked like a small town and there was grist mills for corn, cotton gin, shoe shops, tanning yards, and lots of looms for weaving cloth. Most of the slaves cooked at their own houses that they called shacks There was a jail on the place for to put slaves in.

The author offers a historical treatment of Louisiana's longstanding sugar industry, tracing its transplantation from its sources in the Caribbean and including many aspects of material culture which have been changed over time by technology, culture and marketplace/5(4).

John Michael Vlach The plantation landscape Beyond the white master’s residence, back of and beyond the Big House, was a world of work dominated by black people. The inhabitants of this world knew it intimately, and they gave to it, by thought and deed, their own definition of Author: Keith Eggener.

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NW 73rd Avenue Plantation, Florida MEDITERRANEAN: SPANISH LANDSCAPE DESIGN The only thing missing on the sunset-colored pavers of a Spanish-styled abode is the clip-clop of a famous black horse and its enduringly handsome masked rider.

Hail to the cavaliers that harbor amongst the bougainvillea and tiered fountains of the hacienda. Back of the Big House: The Cultural Landscape of the Plantation.

by John Michael Vlach. View the Exhibition. Read about the Book. The Plantation of Ulster: British Settlement in an Irish Landscape, shows how colonisation on the ground was not as much influenced either by the London Government or by the new landowners as has often been assumed.

Environmental factors proved more important than governmental controls in shaping the emerging settlement pattern. “Plantation Landscapes” discusses the way in which clove plantation landscapes can be understood in relation to the spatialities of capitalism and Swahili cultural understandings of landscapes.

Drawing largely on historical sources, this chapter discusses the way in which clove plantations were essentially hybrid.

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"The plantation," writes Charles Aiken, "is among the most misunderstood institutions of American history. The demise of the plantation has been pronounced many times, but the large industrial farms survive as significant parts of, not just the South's, but the nation's agriculture."In this sweeping historical and geographical account, Aiken traces the 2/5(1).

A plantation complex in the Southern United States is the built environment (or complex) that was common on agricultural plantations in the American South from the 17th into the 20th century. The complex included everything from the main residence down to the pens for rn plantations were generally self-sufficient settlements that relied on the.

The plantation landscape John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view.4/5.

"Landscape of Slavery is a landmark study that shows how the plantation has endured in the American consciousness as a nostalgic memory for whites and as an open wound for blacks.

For more than three centuries, artists have captured the plantation in works that are both profoundly moving and deeply : $ Plantation Tree & Landscape shared a post. When Henry Perrine Jr. revisited Indian Key inthe only plants he could find of the species that his father introduced to South Florida and the Keys in the late s were the agave sisal and wild Key lime trees.5/5(5).

The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of a distinctive African American.

permanent place in landscape. Screen: A vegetative or constructed hedge or fence used to block wind, undesirable views, noise, glare and the like, as part of in landscape design; also known as ‘screen planting’ and ‘buffer plantation’. Sediment: The product of erosion processes; the solid material, both mineral and organic.

Richly illustrated with more than maps and photographs (many original and many from FSA photographers), The Cotton Plantation South is a vivid and colorful account of landscape, geography, race, politics, and civil rights as they relate to one of America's most enduring and familiar by: THE CULTURAL LANDSCAPE OF THE PLANTATION THE PLANTATION ESTATES of the antebellum South were often described by their enslaved occupants as impressive places filled with many buildings that sheltered a wide variety of activities.

The planter's residence, often called the "Big House" by slaves, was the most prominent building by virtue of its size and position. It also recommends programs resulting from bequests made to the Library in the form of contributions, donations, record and book collections and other gifts.

The Board generally meets quarterly on the second Thursday of the month at PM in the conference room of the Plantation Helen B. Hoffman Library.

No meetings are held in July or August. This impressive scholarly debut deftly reinterprets one of America's oldest symbols--the southern slave plantation. Max Edelson examines the relationships between planters, slaves, and the natural world they colonized to create the Carolina an settlers came to South Brand: Harvard.

A genre predominantly tied to the American South, the plantation view has received slight attention in the study of American landscape art. Regarded by art historians as derivative of the early-eighteenth-century British estate view, the plantation image straddles the aesthetic boundary between topographical depiction and landscape painting.

Get this from a library. Landscape of slavery: the plantation in American art. [Angela D Mack; Stephen G Hoffius; University of Virginia. Art Museum.; Gibbes Museum of Art (Charleston, S.C.); Morris Museum of Art (Augusta, Ga.); Carolina Art Association.;] -- Approaching their topic through the lenses of art history and social history, the authors explore a largely unexamined.

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